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MARVEL COMICS: THE UNTOLD STORY

These images are an online-only supplement to the published book.

Go to SEANHOWE.COM to purchase a copy, or to read a chapter for free.

"A WILD-RIDE ACCOUNT" —The Hollywood Reporter
"EPIC" —The New York Times
"INDISPENSABLE" —Los Angeles Times
"DEFINITIVE" —The Wall Street Journal
"SCINTILLATING" —Publishers Weekly
“FASCINATING” —GQ
"AUTHORITATIVE" —Kirkus Reviews
"GRIPPING" —Rolling Stone
"PRICELESS" —Booklist
"A MUST FOR ANY SUPERHERO OR POP-CULTURE FAN" —NY Post
"ESSENTIAL" —The Daily Beast
"A SUPERPOWERED MUST-READ" —USA Today
"REVELATORY" —The Miami Herald
"AS FULL OF COLORFUL CHARACTERS, TRAGIC REVERSALS AND UNLIKELY PLOT TWISTS AS ANY BOOK IN THE MARVEL CANON" —Newsday

twitter.com/seanhowe:

    Batman and Elektra by Frank Miller, 1985—a pivotal moment in Miller’s artistic evolution.

    Batman and Elektra by Frank Miller, 1985—a pivotal moment in Miller’s artistic evolution.

    — 1 month ago with 360 notes
    #Batman  #Elektra  #Frank Miller 
    Batman #196. Cover art by Carmine Infantino and Murphy Anderson. Click here to see it up close.

    Batman #196. Cover art by Carmine Infantino and Murphy Anderson. Click here to see it up close.

    — 1 month ago with 157 notes
    #batman  #Carmine Infantino.  #Murphy Anderson 

    1. Batman in DETECTIVE COMICS #32, 1939. Art by Bob Kane.
    2. James Taylor in TWO-LANE BLACKTOP, 1971. Directed by Monte Hellman.

    — 4 months ago with 56 notes
    #Batman  #Bob Kane  #James Taylor  #Monte Hellman  #Two-Lane Blacktop  #no marvel content 
    From Detective Comics #32, October 1939.

    From Detective Comics #32, October 1939.

    — 4 months ago with 214 notes
    #Batman  #no marvel content 
    STAN LEE, CENTERFOLD (photograph by Eliot R. Brown) When Stan Lee visited New York in January 1983, the editorial staff was at the peak of its yuk-yuk, hand-buzzer giddiness. They’d been shooting photos of each other in superhero costumes for some of the covers—several staff members appeared on the cover of the last issue of SPIDER-WOMAN—and now they were putting together a comic that consisted wholly of photos of intra-office hijinks. They wanted to include Stan the Man. Lee, the original ringmaster, jumped at the chance to pose for a nude centerfold. Marvel staffers photographed Lee with an oversize comic book covering his private parts; soon after, they received a call from his assistant in L.A. “Stan is wild,” said the assistant. “He should not have been naked for your centerfold. Please. Don’t.” (A Hulk costume was later superimposed over Lee’s body in postproduction.)
Text from Marvel Comics: The Untold StoryUPDATE: Photographer Eliot R. Brown adds, “Stan indeed kept his fire-engine-red bikini briefs on—very business-like, I must add. You’d have thought he did this every day.”

    STAN LEE, CENTERFOLD (photograph by Eliot R. Brown)
    When Stan Lee visited New York in January 1983, the editorial staff was at the peak of its yuk-yuk, hand-buzzer giddiness. They’d been shooting photos of each other in superhero costumes for some of the covers—several staff members appeared on the cover of the last issue of SPIDER-WOMAN—and now they were putting together a comic that consisted wholly of photos of intra-office h
    ijinks. They wanted to include Stan the Man. Lee, the original ringmaster, jumped at the chance to pose for a nude centerfold. Marvel staffers photographed Lee with an oversize comic book covering his private parts; soon after, they received a call from his assistant in L.A. “Stan is wild,” said the assistant. “He should not have been naked for your centerfold. Please. Don’t.” (A Hulk costume was later superimposed over Lee’s body in postproduction.)

    Text from Marvel Comics: The Untold Story

    UPDATE: Photographer Eliot R. Brown adds, “Stan indeed kept his fire-engine-red bikini briefs on—very business-like, I must add. You’d have thought he did this every day.”

    — 6 months ago with 2828 notes
    #batman  #hulk  #impressive calves  #marvel comics  #spider-woman  #stan lee  #photos