THE UNTOLD STORY

Go ahead, ask a question.   Images are an online-only supplement to the book MARVEL COMICS: THE UNTOLD STORY (plus occasional unrelated arcana )
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"A WILD-RIDE ACCOUNT" —The Hollywood Reporter
"EPIC" —The New York Times
"INDISPENSABLE" —Los Angeles Times
"DEFINITIVE" —The Wall Street Journal
"SCINTILLATING" —Publishers Weekly
"AUTHORITATIVE" —Kirkus Reviews
"GRIPPING" —Rolling Stone
"PRICELESS" —Booklist
"ESSENTIAL" —The Daily Beast
"REVELATORY" —The Miami Herald
"AS FULL OF COLORFUL CHARACTERS, TRAGIC REVERSALS AND UNLIKELY PLOT TWISTS AS ANY BOOK IN THE MARVEL CANON" —Newsday

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    Moon Knight in HULK! #20. Art by Bill Sienkiewicz and Bob McLeod. Words by Doug Moench. (click image to enlarge)
On June 22, 1978, DC Comics, which had recently undertaken an ambitious but ill-fated expansion campaign, announced staff layoffs—and the cancellation of 40 percent of its line. The next day, Jim Shooter recalled, there was a line at the door of the Marvel offices, and he spent the entire day signing work-for-hire agreements for the resigned masses. Soon afterward he hired Al Milgrom and Larry Hama, both of whom had been editing for DC, to join Marvel’s growing staff of editors. DC’s art director even began sending younger talent over to Shooter. There weren’t a lot of new guys lining up for the dying industry, just the most driven and most in love with the art form, hungry for assignments and happily taking direction. Shooter put twenty-one-year-old Vermonter Frank Miller on a Spectacular Spider-Man story, and twenty-year-old Pennsylvanian Bill Sienkiewicz on stories about Moon Knight, a sort of ersatz Batman, that ran in the back of the Hulk magazine.

    Moon Knight in HULK! #20. Art by Bill Sienkiewicz and Bob McLeod. Words by Doug Moench. (click image to enlarge)

    On June 22, 1978, DC Comics, which had recently undertaken an ambitious but ill-fated expansion campaign, announced staff layoffs—and the cancellation of 40 percent of its line. The next day, Jim Shooter recalled, there was a line at the door of the Marvel offices, and he spent the entire day signing work-for-hire agreements for the resigned masses. Soon afterward he hired Al Milgrom and Larry Hama, both of whom had been editing for DC, to join Marvel’s growing staff of editors. DC’s art director even began sending younger talent over to Shooter. There weren’t a lot of new guys lining up for the dying industry, just the most driven and most in love with the art form, hungry for assignments and happily taking direction. Shooter put twenty-one-year-old Vermonter Frank Miller on a Spectacular Spider-Man story, and twenty-year-old Pennsylvanian Bill Sienkiewicz on stories about Moon Knight, a sort of ersatz Batman, that ran in the back of the Hulk magazine.

    — 1 year ago with 49 notes
    #moon knight  #bill sienkiewicz  #bob mcleod  #doug moench  #original art  #dc implosion  #frank miller 
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